Anyone from overseas who has experienced the European classic car scene will be familiar with the feeling of discovering the rarest and most interesting vehicles in the world and marveling as they are almost ignored by jaded locals who seemingly take them for granted. Just another classic car show in France? Worth a look, I guess.
Last year I was traveling through France, and on my way to Switzerland I made a detour through the industrial city of Mulhouse to visit the famous Schlumpf collection. I was only intending to stop for a day or two, however it soon became apparent that I had chanced my visit to coincide with ‘Festival Automobile de Mulhouse’, a weekend classic car festival beginning the next day. It seemed to be one of those government tourism commission type events which usually aren’t very good, but I didn’t have any firm plans and I needed to catch up on some writing, so I decided to hang about and take it in.
Festivities kicked off on Friday evening with a small display of cars in Place de la Réunion, the historic town square. It was an odd mix of largely B-list modern supercars that was punctuated by a Bugatti Grand Sport Vitesse Roadster. I’m not sure what to make of the Veyron. I don’t really like it, but I also can’t help but appreciate the engineering that goes into a fully street legal factory road car with 1,200hp that does 0-100 in 2.6sec and will crack well over 400km/h. And the build quality is superb to match. Continue reading →
Mulhouse isn’t the typical city most tourists usually visit. Located so far in the East of France that it’s almost in Germany (in fact it was a German city in semi recent history), it’s a lovely town, but with the famous Champagne producing regions on the Paris side and Switzerland on the other, it’s typically skipped by most travelers for its more scenic neighbors. But for over fifty years Mulhouse has been home to the largest automobile collection in the world, and for me it was one that simply couldn’t be missed.
The Schlumpf Collection is probably most well known for housing two of the world’s six Bugatti Royale’s, however its chequered history is arguably more interesting than those two large cars. The Brother’s Schlumpf, Hans & Fritz, were an odd pair. Their interest in cars was only beaten by their almost obsessive dedication to their mother, and the boys worked hard before the second world war building their textile empire, with Fritz finally acquiring his first Bugatti which he used in local races. All of that was put on hold with the outbreak of war, and once the war finished the brothers put everything they had into further building their textile empire in Mulhouse. By the time of the swinging 60’s, the brother’s had enough spare capital to acquire a couple of cars.
The term ‘a couple of cars’ is of course used very loosely as they built their collection at a fanatical rate from the early 50’s through the mid 60’s. The brother’s contacted the likes of Enzo Ferrari offering to buy cars, and with a particular penchant for the local Bugatti brand (located just down the road in Molsheim), they struck up a friendship and bought direct from Ettore himself. They famously sent a letter to every member of the Bugatti owners club with an open offer to buy their cars, which in 1963 resulted in the acquisition of an entire 30 Bugatti American collection in one hit along with several individual cars.They bought ten racing cars from Gordini, three Lotuses from racing driver Jo Siffert and several cars from the Mercedes Benz factory museum. With new prosperity after the war people were looking to upgrade their 1920’s and 30’s automobiles, and the Schlumpf’s used this wholly to their advantage.
Even as their textile business began to falter in the 70’s as cheaper production emerged in Asia, the boys kept building their collection in total silence. They employed 40 staff to work full time restoring and maintaining the cars, who were each sworn to secrecy and forced to sign non disclosure statements about their work. The collection grew as production at their factory further declined, so the Brother’s converted one of the disused warehouses into a museum to house their now 400 strong private collection. They employed yet more staff to lay red tiled floors and create grey gravel display areas and installed thousands of replica Parisian lamp posts. All of this was just for themselves – the collection was still top secret. Continue reading →